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Teacher: Welcome class to the lesson on Country
Rock Legends. This lesson cover part 1 of The Eagles style. I'm having a problem
with my multi track recorder so I'll update the Lesson sample later in the
archive. As most of you know The Eagles are one of the most well-known
country rock bands of the '70s and '80s and on. In the early days of The Eagles
they had a heavy country sound and progressed from there. This lesson will cover
the early period.
Teacher: Here's the rhythm track and I will give
you several licks in this lesson.
Looping Jam Track 1 Lowband
Teacher:
This rhythm starts with E and E sus. Then moving to B and F#m. The bridge uses
C#m and A and then F#m and B. Let's get started with the first country rock
lick.
Part 1 -
Lick 1
Part 1 - Lick
1
Teacher:
Most of these licks are in the E Major Pentatonic. We will focus on playing
double stop bends. This gives to licks a country type sound. Here's the E Major
Pentatonic scale.
E Major Pentatonic
Teacher:
This pattern is different than the pentatonic box patterns. Notice the scale
starts on the E.
marc: On the first lick are you bending both notes at
the same time.
Teacher: Marc, all the bends are on the 2nd
string (B) in the first bar. The bends shift to the 3rd string when you
shift positions. Here's the next lick.
Part 1 - Lick 2
Part 1 - Lick
2
Teacher:
For this lick you start with the 3rd finger bending the 2nd string then shift to
bending using your 1st finger on the 5th fret/2nd striing. Using the first
finger to bend can be quite challenging. Especially trying to keep the bending
note in pitch. Here's the next lick.
Part 1 - Lick 3
Part 1 - Lick
3
Teacher:
Here's another example using the begging of the last lick, however this time you
shift up the neck using major and min intervals. The ending of the lick plays in
the main box pattern of the E Major Pentatonic. Here's the
scale.
E Major
Pentatonic Scale
Teacher:
Here's the next lick.
Part 1 - Lick 4
Part 1 - Lick
4
Teacher:
This lick uses the same Major Pentatonic box pattern I just gave you. Notice how
you start with a bending triple-stop, then shifting to the double-stop where you
use the 1st finger to bend. Later you use hammer-ons using the more double-stops
and then ending by playing intervals. This lick has a heavy country sound.
OK, let's jump to the next lick.
Part 1 - Lick 5
Part 1 - Lick
5
Teacher:
This lick uses the same pattern as well, this time playing a series of hammer-on
intervals. And then playing the triple-stop bend and double-stop bend using
the 1st finger. Here's the next lick.
Part 1 - Lick 6
Part 1 - Lick
6
Bill: Are you
covering both 12 fret notes with your
pinky?
Teacher: Bill, you anchor your 4th finger on the
1st string, however you use the 3rd finger on the 2nd string. This allows you to
shift the melody line on the 2nd string. The interactive tab will show you the
fingering. Here's the next lick.
Part 1 - Lick 7
Part 1 - Lick
7
Teacher:
This is an interesting lick! You use the E Major Pentatonic box pattern and
descend using bending notes while you hold down the pedal note on the 12th
fret/1st string. You will need to finger pick in order to play this
sequence of notes. This lick is a great one to build up your first finger
bending technique. You can also practice this lick playing an ascending pattern
as well. Here's the next lick.
Part 1 - Lick 8
Part 1 - Lick
8
Teacher:
This lick uses more hammer-on double-stops as well. Notice the sliding
double-stop notes as well, then playing the bending double-stops again. This
next lick is played over the chord changes in the
progression.
Part
1 - Lick 9
Part 1 - Lick
9
Teacher:
Notice how the Major Pentatonic patterns move over the chords. You use bending
triple-stops in the beginning bars. Notice how the pattern changes while playing
over the F#m. The ending of the lick uses a B Major Pentatonic over the B
chord.
Teacher: Well, time to go, see you all next
lesson!
gian:
hey Michael thanks
Teacher: Thanks!
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