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Teacher: Welcome class to the series on Guitar
Techniques. In this lesson we'll cover Finger tapping. Many rock
guitarists believe Eddie Van Halen was the originator of the technique, however
this technique was introduced by classical players. Some of the early blues
masters used this technique at times. For rock recordings you can even hear
Billy Gibbons use this technique in his early recordings. Eddie Van Halen
perfected the technique as you very well know. Let's get started with the basic
technique variations. Here's the first sample.
Part 1 -
Basic Fingertap 1
Part 1 - Basic
Fingertap 1b
Teacher:
Since you are using your picking hand for the tapping note you need to either
tuck your pick under the first finger. That way you can grab the pick quickly to
strum notes. You can pick the 1st note with your fingernail or hammer with the
fret hand. Here's the next finger tap
sample.
Part 1 -
Basic Fingertap 2
Part 1 - Basic
Fingertap 2
Teacher:
This example starts with the finger tap and then uses a pull-off sequence. Here's
another variation.
Part 1 - Basic Fingertap 3
Part 1 - Basic
Fingertap 3
Teacher:
In this example you have to first pick with your fingernail or strike the string
and use a hammer to the other notes. Here's the next
technique.
Part 1
- Basic Fingertap 4
Part 1 - Basic
Fingertap 4
sammy_andrews: does it matter which finger you tap
with?
Teacher:
Sam, I use my 2nd finger to tap usually, this way I can tuck the pick under the
1st finger. However you can use the other fingers to tap as
well.
Bill: are you pulling off the string
with the tapping finger.
Teacher: Bill, pull-offs and hammer-ons are very
important for using finger-tapping. You'll notice these combinations throughout
all the examples except a few licks. Here's the next
variation.
Part 1
- Basic Fingertap 5
Part 1 - Basic
Fingertap 5
Teacher:
In this sample you bend the note one whole-step and tap holding the note. You
can vibrato using the fret hand as well. Here's the next
technique.
Part 1
- Basic Harmonic Fingertap 6
Part 1 - Basic Fingertap 6
Teacher: We cover
tapping harmonics in the last lesson. Try combining techniques. Here's the
last variation.
Part 1 - Basic Fingertap Slide 7
Part 1 - Basic
Fingertap 7
Teacher:
This technique actually slide the finger-tap note. OK, let's get into using
this technique with scales. Most of these samples will use the A Minor
Pentatonic scale.
Part 2 - Fingertap Scales 1
Part 2 -
Fingertap Scales 1
Teacher:
In this technique you use the A Minor Pentatonic notes on the single-string G.
You start with a hammer-on in the scale pattern, and then fingertap and pull-off
while ascending notes related to the scale. Here's the next
example.
Part 2 -
Fingertap Scales 2
Part 2 -
Fingertap Scales 2
Teacher:
This technique starts with the fingertap, pull-off, hammer-on, tap and pull-off.
Notice the fingertap notes ascend the related notes of the A Minor Pentatonic
scale pattern. Here's another example using scales.
Part 2 -
Fingertap Scales 3
Part 2 -
Fingertap Scales 3
Teacher: This example ascends the scale pattern
using both the fingertap and fret hand. As you can see there are so many
variations you can try. Try this technique using other scales as well. Now
you can use the A Minor Pentatonic on the other strings as
well.
Part 2 -
Fingertap Scales 4
Part 2 -
Fingertap Scales 4
Teacher:
In this example you use two A Minor Pentatonic scale patterns combined. Here's
the 2 patterns.
A
Minor Pentatonic - 2 Box Patterns
Teacher:
You can see by the patterns how they are connected. You tap the higher notes.
Let's try a few licks.
Part 3 - Fingertap Riff 1
Part 3 -
Fingertap Riff 1
Teacher:
In this lick you play a basic blues solo and add the fingertap after you bend
the note on the 3rd string. Notice the vibrato after the note is
played. You can also fingertap using open strings and octave notes. Here's
an example.
Part 3
- Fingertap Riff 2
Part 3 -
Fingertap Riff 2
Teacher:
OK, here's what some of you are waiting for, a series of Van Halen licks.
Part 3 -
Fingertap Riff 3
Part 3 -
Fingertap Riff 3
Teacher:
Each tapping note uses a pull-off and then you hammer when playing from the 1st
to 4th string, this sequence of notes will take a while, notice you start
out with a C#m triad, and then adjusts as you ascend the scale pattern. Notice
how the tapping finger will move first, and then the hand moves. This
combination creates a very cool classical sound.
jotajota:
Thanks for the lesson, very good, keep rocking, when can i get
another lesson
sammy_andrews: good lesson...takes some practice for me
though :)
Willka: Thank you teach
jotajota: thanks
Teacher: Thank you and see you next lesson!
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