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Teacher: Welcome class to the lesson series on
Guitar Techniques. In this lesson you will learn various harmonic
techniques. You will learn how to pick, fingerpick, and tap harmonics. This
techniques sound very cool and I'm sure you all will enjoy this
lesson. Let's get started, our first technique is picking
harmonics.
Part 1
- Pick Harmonics - Basic 1
Part 1 - Pick
Harmonics - Basic 1
Teacher:
The harmonic sound is from down picking the fingernail, and then pick to create
the harmonic. Here's an image of the technique.
Pick
Harmonic - Fingernail
Teacher: The fingernail creates the note, and the
pick after that shortens the vibrations of the note to create a harmonic. You
can also use your pick and then hitting the thumb as well. Here's the
technique.
Pick
Harmonic - Thumb
Teacher: So use the pick first, and then the
thumb to create the harmonic. Now there are specific "sweet" spots for picking
harmonics. Try moving the picking hand to various positions and listen for the
harmonic sweet spots. This next example illustrates this
variation.
Part 1
- Pick Harmonics - Basic 2
Part 1 - Pick
Harmonics - Basic 2
Teacher:
Now notice the note on the 7th fret remains the same while the picking shifts
positions, the video will give you a better idea for using this
technique. You can use either fingernail/pick or pick/thumb harmonic
picking. I prefer the fingernail/pick technique.
Audio: Can do Picking Harmonics, but didn't know I could
change the sound at the pickups....
Teacher: Good point Audio, make sure your bridge
pickup is selected. Using that pickup will pickup the harmonics closer to the
bridge. Here's a scale using harmonic picking.
Part 1 -
Pick Harmonics - Scale 1
Part 1 - Pick
Harmonics - Scale1
Teacher:
I use the A Minor Pentatonic scale, while harmonic picking in one position. You
can alter harmonic picking positions as well. Try to find you favorite harmonic
sweet spots. Here's a riff using harmonic picking.
Part 1 -
Pick Harmonics - Riff 1
Part 1 - Pick
Harmonics - Riff1
Teacher:
Here I play a basic riff, the first bar is normal, the next with harmonic
picking, and then shifting the harmonic picking to a different
position. Notice how much you can change the sound of a riff using this
technique. The video will give you a better idea of using this
technique.
Miles: So you just pick up and down the string on
the same note?
Teacher: Miles, you only down pick on all of
these notes, that's how you create the harmonic picking sound. Either
down pick fingernail/pick or pick/thumb. The picture I gave you earlier help
illustrate this technique. Let's try another harmonic technique, in this example
you fingerpick harmonics using your picking hand.
Part 2 -
Fingerpick Harmonics - Basic 1
Part 2 -
Fingerpick Harmonics - Basic 1
Teacher:
For this technique you play a note on the 7th fret, then with the picking hand
you extend your index finger and slightly touching over the 19th fret and use
your 3rd finger on that same hand to pick the note. The video will help
illustrate this technique better. Here's a picture of the
technique.
Harmonic
Fingerpick 1
Audio: Is there another way, so you
don't lose your Pick???
Teacher: This is a
tricky technique, it takes a little time to get use too. Audio I tuck my pick
under my 2nd finger while switching to this technique. But to answer your
question, no, you have to fingerpick the note. You can also play various
positions to find harmonic sweet spots as well.
Part 2 -
Fingerpick Harmonics - Basic 2
Part 2 -
Fingerpick Harmonics - Basic 2
Miles: I
get it, it is suppose to make that sharp sound, that is what makes it
sound like a harmonic right?
Teacher: You bet Miles. Notice in this example I
hold the same fret note and move the fingerpick harmonic over the various fret
positions. Make sure you hold them directly over the fret. You can also play
scales using this technique as well.
John: If you pluck with the pick regularly and lightly
touch the string above the same frets it will make a similar harmonic
noise.
Teacher: John, yes that works as well, very good
observations. There is now hard line rules on these techniques. I strongly
suggest you all try experimenting with these techniques. Here's the A Minor
Pentatonic scale using the last harmonic technique.
Part 2
- Fingerpick Harmonics - Scale 1
Part 2 -
Fingerpick Harmonics - Scale 1
Teacher:
Notice how the fingerpick harmonic position mirrors the note positions as you
descend the scale. In this example you are playing an octave harmonic using
the octave position of the A Minor Pentatonic scale pattern. Visualizing the scale
pattern while fingerpicking the harmonic is very important. Here's another
example.
Part 2 -
Fingerpick Harmonics - Scale 2
Part 2 -
Fingerpick Harmonics - Scale 2
Teacher:
This example shifts the harmonic fingerpicking to another harmonic position. You
use the same pentatonic pattern, only fingerpicking the harmonic starting on the
15th fret,
Miles: When i hit the string and try to do the harmonic
the sound stops
Teacher: Miles try playing around by subtly
changing positions, if you play on a dead harmonic position that will happen.
Try to find the harmonic sweet spot. Let's try playing a riff using this
technique.
Part 2
- Fingerpick Harmonics - Riff 1
Part 2 -
Fingerpick Harmonics - Riff 1
Teacher:
I play a riff in the A Minor Pentatonic scale, and then harmonic fingerpick in
the octave position. Notice how I follow the riff position in the octave
position. Here's another riff.
Part 2 - Fingerpick Harmonics - Riff 2
Part 2 -
Fingerpick Harmonics - Riff 2
Teacher:
This example starts with a basic riff in the A Minor Pentatonic, then shifts the
position of the harmonic fingerpicking to create various harmonic sounds. It's
best to start off with a very basic riff like this, build up your technique, and
then build up to more advanced riffs. This technique is used by rock, jazz and
classical guitarists. Time for harmonic tapping.
Part 3 -
Tap Harmonics - Basic 1
Part 3 - Tap
Harmonics - Basic 1
Teacher:
Harmonic tapping is basically the same technique as the harmonic fingerpicking,
but in this technique you tap the finger lightly over the fret. The same
principle applies to the harmonic positions and various sweet spots as
well. Here's an example of changing the the tapping
positions.
Part 3
- Tap Harmonics - Basic 2
Part 3 - Tap
Harmonics - Basic 2
Teacher:
You hold the fret hand on the 7th fret/3rd string, while you change the harmonic
tapping positions. You can use this technique on scales as
well.
Part 3 - Tap
Harmonics - Scale 1
Part 3 - Tap
Harmonics - Scale 1
Teacher:
You harmonic tap on the frets of the octave scale pattern while playing the A
Minor Pentatonic.
Miles: I noticed if you move your finger on
different frets and tap the same note it makes different
sounds.
Teacher: Miles, yes, you change the harmonic
sweet spots. Here's a harmonic tapping Eddie Van Halen style
riff.
Part 3 - Tap
Harmonics - Riff 1
Part 3 - Tap
Harmonics - Riff 1
Teacher:
In this example you hold an Em chord while tapping harmonics that follow the
chord positions on the octave position. You later shift to the Am chord and
follow the fingering. Here's two last techniques.
Part 4
- Various Harmonic Techniques 1
Part 4 - Various
Harmonics Techniques 1
Teacher:
You band the note on the 7th fret while tapping or fingerpicking on the various
harmonic positions. Here's the last technique. The tab will show the
pull-off, while the video illustrates the harmonic palm
technique.
Part 4
- Various Harmonic Techniques 2
Part 4 - Various
Harmonics Techniques 2
Teacher:
In this example you play a one-hand pull-off while you run the crease of your
hand lightly on the string while sliding downward. Make sure the crease of your
hand lightly cups the string. Try experimenting with this
technique.
Teacher: Well time to go, see you all next
lesson!
Miles:
thx teacher
Teacher:
Bye!
Pat: thank
you.
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