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Jam Sessions - Rock
Style
Lesson 4 - Jam in
B
Lyle: In
this lesson I'm going to give you a couple of scale and arpeggio patterns to use
while jamming to this jam track in B:
chord chart
Lyle:
First, let's examine the rhythm guitar parts of the jam track. There is a clean
guitar part and a distorted guitar part. The clean guitar part starts off using
this chord:
Lyle:
Mute the big 6th string with the tip of your index finger, keep the 1st and 2nd
strings open. Here's the strum pattern:
Lyle: Continue this strum pattern
using a clean setting on your amp for the whole jam track.
Lyle:
During the "chorus" section of the jam, you'll still strum just like that but
you'll change the chords as noted in the chord chart and in this next tab file:
Lyle:
Now you can play the verse section 2x, then the chorus, then start over.
Lyle:
Once you have memorized what to play, try playing it along to the jam
track.
Lyle: The other guitar part uses a "crunchy" or
dirty rhythm sound. Select the bridge pickup on your guitar and hold off on
using effects like reverb or delay because that will muddy up the tight rhythm
you need. Here's what the 2nd guitar part is doing for the verse:
Lyle:
Notice in the video clip I'm muting all the strings after each rhythm burst.
Lyle:
The chorus uses power chords again but this time you simply hit them once and
let ring / sustain for the whole measure:
Lyle:
Now you know two different rhythm grooves to play against this modern rock style
jam track. Let's move on to scales and arpeggios.
Lyle:
The main chord is the B chord. It's a major type chord so you should lean
towards using a scale that has a major third in it such as the B major
pentatonic. It is simple to play and improvise with since it's only made from 5
different tones: 1 - 2 - 3 - 5 - 6.
Lyle:
Another good scale to try playing against this jam track is the B mixolydian. It
also has a major third in it: 1 - 2 - 3 - 4 - 5 - 6 - b7. The B major pentatonic
will give you a "southern rock style" sound and the B mixolydian scale will give
you more melodic options. Both scales have a blues quality to them.
Picky: What is
the relationship between scales and the modes of a scale?
Lyle: Good question, there are different chords
like major, minor, dominant etc., and so there are different scales too. Modes
are scales, scales are modes. It just depends on how you are addressing them at
the moment. Major chords sound different than minor chords, same with scale and
modes.
Lyle: Arpeggios are fun and challenging to play.
I made a solo against the chorus section that uses all arpeggios to give you
something a little hard to work on:
marco: Are
these arpeggios supposed to be matching the jam track?
Lyle: They work over the chorus section of the
jam track. Watch video clip and you'll see and hear it against the chorus
section of the jam track.
Terry: How do you know what arpeggios to play over what
chords in the background?
Lyle: Here's a jam track for just the chorus
section:
Lyle:
Terry, good question.
Lyle: During the chorus section the chords are A
to B. Both major type chords. I picked a bunch, if not all, of the arpeggios
related to the key of E Major. I was thinking the A to B chords are the IV and V
chords in the key of E so I starting finding the chords in the key of E, then
just played arpeggios of each one.
Terry: Are these Major arpeggios?
Lyle:
Above each arpeggio is the name of it.
jerry: E major and B mixolydian have the same
notes
Lyle:
Yes they do. B mixolydian starts on the 5th degree of the E major
scale.
Lyle:
You can try playing any note from the E major scale against this jam
track:
Lyle:
That's about all for this lesson. Any other questions before I sign off?
marco: no, I
have a lot to study here.
corro: I'm ok,
thanks
kelly:
Good lesson, thanks Lyle......
Lyle: Good. Have fun jammin and see you next
week!
Steve: thx
Lyle, have a good week
Lyle: Sounds good. Let me know if you have any
questions. My email is Lyle@theguitar.net
All the jam tracks from this series is available for download off my web site,
TheGuitar.net
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