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Lyle Ronglien >> Riffs You can Use >> |
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Riffs You can Use - Part 18
Lyle:
americans found something to drink to
Support: you don't have to play
somewhere?
Lyle: Here's a chord progression built in the key
of E major.
Lyle:
Here's a jam track for this progression:
Lyle: In
the lesson sample I played a solo using the E major
scale:
Lyle:
Since we are in the key of E major, the relative minor is C#m. Playing the C#
minor pentatonic scale gives you a cool sound against the E major chord
progression:
Lyle:
Most of the solo uses the C# minor pentatonic. At the end of the solo, the
Emajor scale is used for more melody:
Lyle:
did i miss your question phil?
Phil: aren't C# minor and E major the
same?
Lyle: Yes, they are made from the same notes. C#m
is the relative minor of E major.
Phil: why do you differentiate them in your previous
comment?
Lyle: The minor pentatonic has only 5 tones in
it, the major scale has 7 tones. The C# relative minor has 7 tones in it.
Phil: ok, got
it
Phil: I see
that in the guitar neck
Lyle:
good
Lyle: That's about all on this riff. I just
wanted you to see and hear the difference and use of the minor pentatonic
against the major key.
Phil: great,
thanks
Lyle: I don't think I'll be here next Monday. I
have a rehearsal with a band for a gig in San Diego the following weekend. So
I'll be back here in two weeks from
tonight.
Lyle: Have a good night and see you again in two
weeks.
MiVidaLoca: thank
you
Lyle:
welcome
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